布魯斯鋼琴家和歌曲作者Barry Goldberg于50年代后期在芝加哥開始了他的音樂生涯,與諸如OTIS?。遥眨樱取ⅲ停眨模模佟。祝粒裕牛遥雍停拢眨模模佟。牵眨龠@樣的布魯斯大師合作,在SOUTH?。樱桑模啪銟凡恐薪⒘肆己玫穆曌u。1965年,他在“紐波特民歌節(jié)“上為BOB?。模伲蹋粒伟樽唷T谀抢锼唬停桑耍拧。拢蹋希希停疲桑牛蹋乃p識,時常激情他與“巴特菲爾德布魯斯樂隊”合作。他回到芝加哥后,與STEVE?。停桑蹋蹋牛医M建了“戈德堡-米勒布魯斯樂隊”(常被稱為“第三次世界大戰(zhàn)布魯斯樂隊”)。1966年,他們錄制了一張唱片《BLOWING?。停佟。停桑危摹罚▎拘盐业念^腦)。作為一個備受尊敬的音樂家,Barry Goldberg除了與許多天才藝人如DUANE ALLMAN、HARVEY?。停粒危模牛痰群献魍?,沒有出版過真正引人注目的專輯。 1968年,當MIKE?。拢蹋希希停疲桑牛蹋脑诩永D醽喗M建ELECTRIC?。疲蹋粒牵娖欤逢爼r,力權(quán)他前往加洲。他終于從一個純鍵盤手發(fā)展成一個歌手和歌曲作者。1973年,他錄制了第一張討人喜歡的個人專輯《Barry Goldberg》,并在GERRY?。牵希疲疲桑蔚膫€人專輯《IT AIN‘T?。牛兀粒茫裕蹋佟。牛危裕牛遥裕粒桑危停牛危浴罚ú煌耆膴蕵罚┲谐霈F(xiàn)。1976年現(xiàn)場專輯《Barry Goldberg And Friends》發(fā)行。 Barry Goldberg was a regular fixture in the white blues firmament of the mid-'60s that seemed to stretch from Chicago to New York. A keyboardist (organ seemed to be his specialty), Barry was an in-demand session man — he appears with Michael Bloomfield on a Mitch Ryder album, for instance — along with Al Kooper and his blues-playing contemporary from the original Butterfield band, Mark Naftalin. Goldberg was a member of Charlie Musselwhite's first band, contributing great piano and organ lines to the Stand Back! album (his work on "Cristo Redentor" is moody and introspective, with a strong jazz-inflected feel, while still retaining strong blues roots) and a handful of others throughout the decade 更多>>